The Princess Bride review – golden-age throwback glows brighter than ever
A fter 30 years, the wit, fun, charm and idealism are fresher than ever. The Princess Bride, adapted by William Goldman from his novel and directed by Rob Reiner, now makes a brief reappearance in UK cinemas. Catch it while you can. My colleague Hadley Freeman has a magisterial chapter on it in her memoir of 1980s Hollywood, Life Moves Pretty Fast , showing how it made possible fairytale homages and Shrek and Frozen and also affected the language of irony and comedy in the television pop culture that came afterwards. It’s a movie that manages to be both a pastiche and a fervently real love story. The Princess Bride is an organically grown comedy romance from an analogue age: different from the genetically modified, digital creations that came along later. And there is a specific kind of poignancy given how two of its stars have since achieved new fame in TV dramas of cynicism and ...